Introducing a new three band multiple FX Rack Extension.
The Crossover effect splits the incoming audio signal into three bands [Low / Mid / High] with frequency control and morphing.
If you connect any signal to the Main input and activate the Crossover section, you will have 3 bands. This classic crossover effect includes Low and High Frequency control for morphing around three bands.
SABOTAGE is a three band crossover effect that splits an audio signal into Low / Mid / High bands, sending the signal to the Main Output and individual 3-band outputs, but it’s not just a crossover effect.
The main principle of the device is a 3 band crossover with band effects. Every Band [Low / Mid / High] includes its own effects allowing you to morph between these three bands and their effects.
The device also includes Break Inputs for additional incoming signals for each band.
Introducing new audio switcher with one stereo input and up to 4 outputs. RESWITCHER have a routing scheme in two modes.
MAIN MODE: You have four ABCD outputs and you can route signal to only one active output A or B or C or D (one per ABCD group).
MULTI MODE: You have four ABCD outputs and you can route signal as 4 copies of stereo signal to outputs A, B, C and D with personal On/Off buttons.
ABCD stereo outputs have own volume control.
ReSwitcher audio selector can be very useful for guitarists as channel switcher for various effects or amps. And also can be useful in many situations into Reason rack to copy your signal and work with activity of those copies.
Small but useful helper utility.
In many situations you can need a copy of signal with signal routing selection. ReSwitcher Audio selector can help you to switch copies of your signal that can have individual effects.
MAIN mode: 1 stereo input, 1 stereo output A/B/C/D. By Switcher you control what output of device A or B or C or D is active. If you select output B, input signal routed to device output B, ACD – is muted. MULTI mode: 1 stereo input, up to 4 stereo outputs A/B/C/D. With buttons A/B/C/D On/Off you control activity of device outputs. If you select B, input signal routed to device output B, same with routing of A/C/D. A/B/C/D On/Off buttons turn On and Off device outputs A/B/C/D
ECRUOS is a Delay effect with up to 16 configurable taps include smoothing of delay time changes. We present new delay type in Reason Rack Extension – Tap Delay.
Tap Delays usually have steps called as TAPs. Every TAP have own setting of Delay Time and Level.
Delay Time in ower effect can be Synced to your song project or set in seconds. Feedback control linked to each TAP. You can manipulate how much taps you need. Just try to draw your delay rhythms by TAPs.
Taps can control PAN of each step. We aso add Filter to this Delay device. Taps can control Resonance of each step.
ECRUOS rack extension includes:
– 16 steps (TAPS) with control matrix
– TAP controls for Delay Time, Level, Pan and Filter
– WIdth control of stereo signal
– Engage add some reverb to rhythmic output signal
– Filter with Resonance control
– LFO with Sync to Beats
With ECRUOS you can create new structure sounds from one note signal or any other source of signal.
Draw your Delay for new rhythms now. Try it today!
Introducing a new Comb filter with positive/negative morphing in Rack Extension format.
Comb filters usually reshape waveforms, ending upwith a signal that resembles a comb shape.Comb filters create copies of signal and work as a delay and filter at same time. Small delays between copies of the signal create phase offsets and the sum of them builds peaks. Filter Frequency sets the length between these peaks. Resonance sets the strength of resonant peaks at the cutoff frequency. As result, you have newly shaped waveform named as the Comb filter line.
Actual standards of Comb filters have selections of Positive and Negativemodes. Positive and Negative modes have peaks at 0Hz. Classical Comb filters normally use selected positive or negative modes, but we allow morphing of these modes at the same time. The device includes two individual Comb filters with customizable settings which you can morph between.
DoubleComb rack extension is also interesting because it includes:
– Biggest range of frequencies (from 20Hz to 25kHz) in Reason devices and Rack Extensions;
– Exclusive double-side engine: Positive and Negative modes with morphing;
– Neutral sum mode of peaks (50% of Positive/Negative morphing)
With DoubleComb you can really do more then you can do with other classic Comb filters.
Introducing a powerful rhythmic cutter effect. With the MURDER rack extension it is possible to generate various arps and sequences with a few effects to create new complex rhythms for any incoming signal.
With GRID SIZE you can cut incoming audio signals into slices in steps that are synced to your Reason project tempo. STEPS PER BEAT sets the number of steps that are grouped as one beat.
The RHYTHM MASK section includes up to 8 steps.
Every step can be routed to various FX types and fx-hybrid variations. This part of the device is used to build new rhythms from scratch. The following are basic effects that can be routed to rhythm mask; 8 steps with 8 effect-variations:
– None (step is muted)
– Repeat (each step repeats audio from previous step)
– Gate + Repeat (hybrid fx) - Pitch / Reverse (pitch sound up/down one octave, steps played in reverse)
– Gate + Pitch / Reverse (hybrid fx)
– Repeat + Pitch / Reverse (hybrid fx)
– Gate + Repeat + Pitch / Reverse (hybrid fx)
In the GATE CREATOR section you can control Gate Depth and Length of gated steps before they are muted. Also, this section contains a Filter (HP/LP morph filter) for gated steps and a random filter per step.
The RECREATE section controls Repeat and RePitch effects. The REVERSE section controls playing mode in reverse with an offset. MURDER is a powerful creative engine for your tracks.
Present new overdrive effect with nice range of distruction. But its not only just Overdrive. It much more complex solution and hybrid effect.
Overdriven signal from time to time help to get interesting sound if it use compressor. At this days you can find few interesting solutions in the world of guitar pedals. We find this trick very useful when you destruct signal, correct it in few ways and compressing it. ANGRYCOMP can easy change sound of piano, pads and another sound sources to very hard distorted sound. AMP section include complex solution to break your signal.
Unique MADNESS function changes the colors of sound. Mutate adds distortions to booster. Nature knob make sound more analogue and useful with any kind of incoming instruments/samples. Second section is Compressor. Compressor can work as punchy compressor, but also have Sidechain Mode. Sidechain can help you to create new rhythmic lines of instrument with using other rhythmic tracks in project as sidechain source.
Compressor include configurable Envelope Detector section to create rules how curves can change sound. Unison Spectre help to create absolutely amazing and wide sound at device output.
Introducing a powerful granular effect for real time processing of audio signal with pitch-shifter and delay. With GRAINSHIFT you can select position and length of grain that you get from incoming signal, way of playback direction of grain that been pitch-shifted and mixed with dry incomig signal.
Grain size have range 0-800ms, size of grain can be relative to the tempo. Also grain size have random size variations. Density can overlap between grains x1-x4. Grains can quantizes to beat grid. Beautiful point of this granular effect that grains can played as Forward, Reverse and Random modes for each grain.
Pitch of grains work up to 2 octaves. Grains can be subtracted with alternative pitch.
With PAN settings grains can have pan for each grain, and alsohave a random pan.
Big role of device architecture play DELAY section. It add more flexible and complex solution to work with grains. Delay have Time (seconds or synced to beats), randomise grain position in delay line and feedback from grain to delay input.
Granular effect stores the incoming audio in its buffer and splits it into short pieces (grains) which are then processed with delay, pan, pitched and played in various ways.
Introducing PHATSAT, a variant of analogue tape-style distortion, known as a saturation effect. Many people believe that tape saturation applied to music sounds very appealing. Recording engineers understand that distortion, along with compression characteristics of saturation, can be useful as a mix tool. Saturation makes an audio signal sound more punchy. It also helps to ‘glue’ audio elements together and can make them sound bigger.
These days, saturation typically refers to analogue-style distortion effects. The technology of saturation combines tape-style distortion with multiband compression and limiting. The PhatSat saturation effect can be used for warming up individual instrument tracks or applied to the whole mix to make it sound better. Saturation is very usable with any kind of sound source or instrument.
Try this PHATSAT Saturation Rack Extension in your Reason rack today!
Introducing a variation of a legendary analog frequency shifter. HARMBODE shifts the spectrum of a signal by a fixed amount. BODE (TM) Shifter is not a pitch-shitfer, but allows you to shift inharmonics in Hz. Sometimes it can sound like a ring modulator effect, but with HARMBODE it is possible to get an upshifted and downshifted signal. With some settings you can hear the effect known as "Barberpole flanger" as well as a 90 degree phase shifter.
The original analog Bode 735 Freq Shifter (TM) was designed by Harold Bode in the 1960’s and was also used in the Moog (TM) modular system. HARMBODE attempts to reproduce this Bode freq shifter (TM) in Reason Rack Extension format. Today Freq shifters popular in world of guitar pedals and modular synths, in world of software synths and FXs.